Digital Video Editing
Feature:
Assimilate Scratch - A Workhorse in television and feature Post
Assimilate Scratch - A Workhorse in television and feature Post
Assimilate Scratch over the years has become a trusted tool, used for everything from on-set DIT to digital intermediate and finishing. One of the industries where scratch is being heavily used is VFX, and this is in part due to scratch's open support for xml scripting, which allows most VFX post houses to build their entire pipeline around scratch. One of such VFX houses is FuseFX, where I worked as a VFX editor for almost three years, working on various television shows such as The Blacklist, American Horror Story, Agents Of Shield, Luke Cage and feature films such as American Made, The Purge (Election Year). Read More

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Project Profile:
Hard Edge Drama
Hard Edge Drama
Lots of filmmakers grew up in innocent times in innocent areas of the world but sometimes going back is a lot different from what existed in your memories. Read More
Case Study:
Island Time
Island Time
FoR stays focused on having the right tools, the right storage to deliver new ad spot for Jamaica in a Bottle... Read More
Product Preview:
Content Insider #568 - Pure Mission
Content Insider #568 - Pure Mission
Everyone who attended NAB this year was on a mission. A mission to create the best content, a mission to deliver content to the right audience, a mission to produce great films for device and theatre viewing. We'll start by discussing some of the best solutions for some of the creative people we know - shooters, production/post folks. And there was plenty of new products, new services, new features announced at the show to get a filmmakers motor running this year. And again SuperMeet was fun, insane and informative. Shoot it, produce it, store it. Then? Sell it. It's all good and getting better! Read More
Technology:
Logging Data
Logging Data
Shooting great content is the rule by which you're measured but being able to find just the right images and segment is even more important and it needs to be fast, accurate and automated Read More
Feature:
Traveling Back to the 1950s with "The Marvelous Mrs. Maisel"
Traveling Back to the 1950s with
The new hit show from Amy Sherman-Palladino ("Gilmore Girls") and Daniel Palladino ("Family Guy") takes viewers back to 1958 on the Upper West Side of Manhattan when life abruptly changes for Miriam "Midge" Maisel after her husband leaves her. Breaking the mold and trying stand-up comedy quickly lands Midge in jail, while also landing her a lot of laughs. Visual effects (VFX) veteran Lesley Robson-Foster ("Logan Lucky," "The Great Gatsby") joined the streaming series as VFX Supervisor. Robson-Foster and her team used a Blackmagic URSA Mini Pro digital film camera to shoot B roll, establishing shots and VFX plates for the series. Read More
Technology:
Content Insider #563 - Behind the Content
Content Insider #563 - Behind the Content
It is so easy to get drawn into the director's intent when you watch a movie, TV show or streaming content that you overlook the work before the project and work begins. And it's going to get even better! Hammering out agreements on standards, technology makes it possible for you to watch the visual story on any screen and it will always look, feel and be the same. Events such as the recent HPA Tech Retreat and SMPTE Technical Conference this fall aren't like convention boondoggles. They're activities people attend to make the content people want more and more of on their screens. It'll be so great you'll have to wear shades. Sometimes technology really can be entertaining. Read More

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