Digital Video Editing
Project Profile:
"Piranha 3D" Screams for SCRATCH at inner-D
Using Scratch, Grant Boucher, award-winning VFX pioneer and founder of inner-D, and his team of post artists managed the 35mm 2D-to-3D conversion process, as well as the first pass color grading and finishing for director Alexandre Aja's "Piranha 3D" (2010), a Weinstein Company production. Read More

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Project Profile:
SCRATCH 3D Workflow Helps "Les Krostons" Become Masters of the Universe
 Les Krostons" want to take over the world and their impish intentions were recently revealed in a five-minute VFX-laden 3D stereo teaser, directed by Frederick Du Chau through Le Studio d'Imagination, and screened at the 2010 Cannes Film Festival. Duran Duboi in Paris harnessed the powers of ASSIMILATE's SCRATCH(r) Digital Finishing Solution in a streamlined file-based 3D stereo workflow, from set to post production, to DCP deliverables. Read More
Interview:
Digital Cinema and Data Workflows in China: An Interview with Wu Chiao, Director and Cinematographer
 Well known director and cinematographer Wu Chiao is at the forefront of digital cinema in China. He has been immersed in the filmmaking process since his first day as a student of cinematography at the Beijing Film Academy. He has been the director and/or cinematographer (DP) of numerous films, setting a standard of excellence within China. George Lucas` "Star Wars II" -- the first motion picture to be shot using an HD camera -- planted the seed with Wu Chiao that quality movies... Read More
Company Profile:
Digital Magic Hong Kong Sets Up SCRATCH 3D and RED Workflows from ASSIMILATE
Digital Magic Hong Kong, a leader in state-of-the-art post-production in Asia, has now established an ASSIMILATE SCRATCH digital intermediate (DI) workflow to specifically handle the conform, color grading, and finishing of RED digital camera?s native R3D files, as well as 3D features shot with RED Digital Cinema?s cameras. Because SCRATCH is resolution independent, it will also be used as a component of their 3D pipeline... Read More
Company Profile:
ASSIMILATE Expands Reach in Asia; Launches ASSIMILATE China
With the rapid rise of 2D and 3D digital cinematography in China, ASSIMILATE announced today the expansion of its global sales and support organizations with the launch of ASSIMILATE China, and the opening of a main office in Beijing, China, effective immediately. ASSIMILATE Inc, with headquarters in Santa Clara, CA, has sales, service and technology teams located around the world. Read More
Project Profile:
RED/SCRATCH Workflow Puts Hong Place Vision at Forefront of Digital Cinema in China
 Riding high on the wave of digital cinema, Hong Place Vision is the biggest rental company of RED Digital Cinema cameras in Beijing, and has built a post-production studio to meet the demand for the rapidly rising number of digital film and TV productions in China. At the hub of their data workflow and DI tool suite is ASSIMILATE's SCRATCH® Digital Finishing Solution. Read More
Company Profile:
ASSIMILATE to Feature SCRATCH v5.2 Digital Post Workflows for Finishing 3D, RED, ARRI Alexa, and Other Formats at IBC 2010
 SCRATCH v5.2 demos will include state-of-the-art tools for color grading, finishing, compositing, and 3D-specific features, such as convergence, scaling, and versioning. Other 3D demos will include ASSIMILATE's exclusive offering -- 3ality 3Play Pro S -- a professional quality stereo monitoring system, and developed in partnership with Telairity, the first 3D Post Remote-Review Network for simultaneous, real-time review by post houses and clients, anywhere in the world. Read More
TechUniverse
Eat Pray Love Used Final Cut Studio In Post-Produ...
 Editor Bradley Buecker trusted Final Cut Studio to edit 422,000 feet of film! Read More
 
ninjacrayon
Rise|FX Electrifies Zeus's Lightning Bolt in ...
 Although the entire Percy Jackson film is chock-full of fantastic visual effects, the last sequence on Mt. Olympus is when the lightning bolt takes center stage. The lightning bolt was a complex design, with the look of moving plasma, a w... Read More
 
ninjacrayon
Capturing Moving Cars with AJA Ki Pro and the ARR...
 When AJA Video Systems first announced the Ki Pro portable digital recording device, it was met with great enthusiasm and won six major industry awards. Director of Photography (DoP) Timo Plogstedt discovered these benefits and more when rec... Read More
 
ninjacrayon
MAXON R12 Announced
 MAXON R12 is here http://maxon.net Read More
 
ninjacrayon
DigiEffects DEPTH for After Effects
 Digieffects, a developer of popular visual effects plugins,today announced that Depth is immediately available for purchase.Depth, a plugin for After Effects, easily converts an entire AfterEffects composition into a depth map. Available for $49 ... Read More
 
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Product Profile:
ASSIMILATE to Showcase SCRATCH v5.2 for Finishing 3D, RED, ARRI Alexa, and Other Formats at IBC 2010 - RED's Ted Shilowitz Shows 5K RED EPIC Camera at ASSIMILATE Big Screen Session
Company Profile:
ASSIMILATE Expands Sales and Support at London Office - Real-Time SCRATCH v5.2 Boosts 3D and DI Workflows
Case Study:
ASSIMILATE AT FOREFRONT OF 3D FILMMAKING WITH SCRATCH 3D REAL-TIME DATA WORKFLOW - SEE LATEST SCRATCH 3D WORKFLOWS AT IBC 2010
TECH NEWS:  Rss
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09/09/10 "Resident Evil" movie uses 3D to engage viewers
09/08/10 Hurd's Oracle hire package worth millions
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09/10/10 ASSIMILATE Integrates LightSpace CMS with SCRATCH Digital Finishing Solution
09/10/10 "Piranha 3D" Screams for SCRATCH at inner-D
09/10/10 ASSIMILATE to Showcase SCRATCH v5.2 for Finishing 3D, RED, ARRI Alexa, and Other Formats at IBC 2010
09/10/10 ASSIMILATE Expands Sales and Support at London Office
09/10/10 Edmunds.com Images Featured on Jay Leno's Garage Webisode
09/10/10 EditShare Ships Flow 2.0 - Enhanced Production Asset Management
09/10/10 Cinedeck LLC Debuts Cinedeck EXTREME v2.0 at IBC 2010
09/10/10 ARRI and Colorfront launch On-Set Dailies
09/09/10 EditShare Ships Geevs 5.0 - Enhanced Broadcast Platform
09/09/10 RadiantGrid Provides Faster-Than-Real-Time HD Transcoding for Televisa
09/10/10 The Digital Future Is Now: Tribune, Endemol and RAI Realize Innovation With Microsoft Solutions
09/10/10 Sony Vegas Pro Production Assistant 2 Automates Video Editing Tasks, Frees Up Time for Creative Editing and Production
09/10/10 Sony Unveils Vegas Pro 10 Software Featuring Native Stereoscopic 3D Video Editing Workflow
09/10/10 Blackmagic Design Announces Universal Videohub
09/10/10 Blackmagic Design ships DaVinci Resolve 7.0
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 In Hollywood, there is little doubt that MAXON's CINEMA 4D is the 3D motion graphics artist's best friend. For years, I've been telling you about how easy it is to use, what brilliantly stunning images it produces, how quickly it renders through projects, it's offering of dynamic animation, and, most recently, about its increasingly powerful set of motion graphics tools which fit neatly into production pipelines. So, what could possibly be better than all that has come before? Plenty. Read More
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