Growing up in Palo Alto, CA, Jacob Rosenberg had a passion for skateboarding. As the years progressed, Jacob also discovered he had a passion for filmmaking. When the opportunity to combine the two presented itself, Jacob jumped at the chance. As Partner, Chief Technology Officer and Director of LA based Bandito Brothers, a full service media company that creates, produces, manages and distributes audio/visual content, Jacob seized the opportunity to spearhead and direct the sophisticated, heartfelt and visceral documentary "Waiting for Lightning" about longtime friend and skateboarding legend Danny Way.
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The Andy Roddick Foundation (AFR) believes talent is universal but opportunity is not, which is why the nonprofit's goal is to provide all children with a support system that gives them hope for a brighter future. To achieve this goal, ARF has raised more than $10 million since inception to fund programs improving the daily lives of thousands of children. While ARF runs and supports programs that enhance educational and economic opportunities for thousands of children throughout the United States, the nonprofit is headquartered in the city Andy Roddick calls home: Austin, Texas. To help increase awareness and support for its local initiatives, AFR turned to Austin based production company The Delivery Men to create the "This Is" promotional film for its 2012 Andy Roddick Foundation Gala in Austin.
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A call was heard in New York that echoed around the world" was the emotional theme of a video produced by Sweet Sadie, Inc. for Disney Theatrical Productions commemorating the 15th anniversary of "The Lion King's" debut on Broadway. Disney provided the studio with a massive trove of stills and videos tracing the far-flung 15-year history of the show from which to draw. Employing After Effects, the Sweet Sadie team set about to bring this material to life by animating cast and crew images against new backgrounds, such as show set photography and crowd scenes complete with flash bulbs popping. 2.5D techniques were used to "cut out" foregrounds from backgrounds to stunning effect.
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Tutorial:
By Diana Weynand, James Alguire and RevUpTansmedia
One of the most missed features of legacy Final Cut Pro is persistent in and out marks. That is to say, once in and out marks are set in a clip, they remain exactly where they are, as a part of the clip, until explicitly changed or removed. Unfortunately, this arguably essential feature for digital video editing did not make it into Final Cut Pro X. If you set in and out points on a clip then deselect that clip and reselect it, the in and out marks are gone. While it is true that you can use ratings, like Favorites, in FCPX to create persistent clip selections, in and out points have valuable uses beyond just marking a usable portion of a video clip.
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The trailer plays a major role in the marketing and ultimate success of a feature motion picture. This on-screen advertisement is so engrained in popular culture that most of the time it is taken for granted by movie goers. But industry marketing veterans know the trailer is the first and last chance to create a lasting impression on an audience. Most trailers range in length between 30 seconds and two minutes. It's within that short time span that the viewer will pick up on hundreds of cues about the movie. In the blink of an eye he will determine the genre, the gist of the story, the aesthetic and level of production. By the end of the trailer the viewer might well determine the fate of the movie. Is it a must-see or to-be-avoided?
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When colorist Patrick Inhofer was first contacted by the filmmakers for the short film horror anthology website BloodyCuts.co.uk, he knew right away that he wanted to be involved. The Bloody Cuts team shares a love and passion for horror films and has presented the anthology online as a free web series. As an accomplished colorist, and the founder of the website Tao of Color Grading.com, Patrick realized that he could put his professional skills to work, both by grading their films and by using them to teach aspiring colorists how to grade using the latest developments in color correction.
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While it may take Sherlock Holmes and Dr. Watson just 60 minutes to crack a case on an episode of the hit CBS television show "Elementary," Tony D'Amore can do it in less. As the Senior Colorist at LA based post house Encore and lead colorist for the wildly popular series, Tony is responsible for color correction and grading the weekly show, and he relies on DaVinci Resolve color correction software.
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Hot off two 'Best in Show' Awards at the 2013 National Association of Broadcasters Convention (NAB) in Las Vegas last month, Autodesk, Inc. (N
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Probell Films is known for their indie films, especially in the (B) Horror genre.
Although Maureen "Mo" Whelan and crew are already working on t
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